This is a gratitude post to one of the masterpieces that Indian Cinema has produced ever. This is a tribute to Sholay.
I am a Sholay fan. And one of my friends once asked me – “How many Sholay characters can you recall?” I came up with – Jai, Veeru, Basanti, Radha, Gabar, Thakur, Ramlal, Samba, Kaliya, Mausi, Jailor, Ramlaal Naai, Surma Bhopali, Imaam Chacha, Ahmed, and Dhanno.
I am sure while reading, each of these characters must have flashed in front of your eyes and their signature dialogs must have reechoed deep in your ears.
Now do you remember more than this or at least this much characters from any other movie? That’s Sholay. It successfully boasts of everything from star cast and their life time performances to dialogues to script, songs, music, direction, cinematography and so on. What could be right mix of art, performance and charisma is seen in Sholay. There are millions of Sholay fans who can tell you the characters and their immortal dialogues. The number of fans who watched this bonanza for multiple times on screen is also not less. None other film has been ever watched so repeatedly by fans, and there will be any seldom. Sholay is also talked about its making time stories and for its production. This speaks the volumes about this film’s popularity. It’s not a mile stone in Indian Cinema, rather an elusive and the most dreamt end that every director wishes for his film to reach.
It’s a tad difficult to fit ‘Sholay’ into a single post. Arguably the most complete and entertaining film of all times, the film boasts of some of the biggest stars of its time-Amitabh Bachchan, Sanjeev Kumar, Dharmendra, Hema Malini, Jaya Bhaduri. It also made a star out of a character called Gabbar Singh -the most imitated character of Hindi cinema. The legendary Gabbar’s dialogues are now folk-lore ( Pachas pachas kos door gaon mein jab bachcha raat ko rota hai to maa kahti hai beta soja ..soja nahin to Gabbar Singh aa jaayega ) peppered with his quirky vicious laughter showing his tobacco-stained teeth or the trademark ferocity ( Yeh haath mujhe de de Thakur ), Amjad Khan as Gabbar Singh is a true blue cult-figure. Each and every character of Sholay is a part of the cinematic folklore, but apart from Gabbar the other most popular characters are Hindi cinema’s best-known buddies, Jai- Veeru and Veeru’s blabbermouth love interest, Basanti. The two friends singing ‘ Yeh dosti hum nahin chhodenge’ makes the most enduring image of screen friendship. Hema Malini as the chatterbox Basanti was a laugh riot. The three share some of the most memorable scenes in the film. Sholay is a classic to be watched again and again. Asrani and Keshto had made the jail scenes immortal (Aadhe idhar jao aadhe udhar jao, baki.. mere pichche aao). AK Hangal’s panic struck “Itna sannata kyon hai bhai” makes audience even panic. Amitabh’s dialogue with maiusiji (Leela Mishra) is world’s best ever marriage proposal on behalf of best buddy.
This is the film I have never bored of watching again and again. Each time it gives me new bundles of joy and zeal. It has done the divine job of spreading happiness in lives of millions of its fans. It has given them something to be proud of.
Sholay has created history in Indian cinema, but it will never turn into a history until fans like me are there. History swallows things, but will it dare to digest it? Hence today also it’s shining in the midst of Indian Cinema galaxy where it was before 35 years ago when it was released. There won’t be any end for Sholay mania. Generations after generations are watching it and falling in love for it.
Some facts about Sholay:
Sholay began as a four line idea that Salim-Javed pitched to Ramesh Sippy. Sippy liked the concept and hired them to develop it. The original idea was simple. An army officer decides to hire two ex-soldiers to avenge the murder of his family. The officer was later changed to a policeman as Sippy felt it would be too difficult to get permission to film from the army. They completed the script in only one month, borrowing many character names and personalities from their friends and acquaintances.
Ramesh Sippy, the director, at first wanted “Shotgun” Shatrughna Sinha to play the part of Jai, but Dharmendra convinced the producers that Amitabh Bachchan would be the right choice. The producers wanted Danny to play the part of Gabbar Singh vald Hari Singh, but he was committed to other assignments. Amjad Khan was a second choice. Khan prepared to play the bandit chief by reading a book titled Abhishapth Chambal, which told of the exploits of Chambal dacoits. The book was written by Jaya Bhaduri’s father - Taroon Bhaduri.
Gabbar Singh was modeled on a real-life dacoit of the same name who menaced the villages around
During the film's production, four of the leads became romantically involved. Bachchan married Jaya Bhaduri four months before filming started. This caused problems when shooting had to be postponed because Jaya became pregnant with her daughter. Dharmendra had begun wooing Hema Malini during their earlier film Seeta Aur Geeta and used the location shoot of Sholay to further pursue her. During their romantic scenes, Dharmendra would pay the light boys to spoil the shot, thereby ensuring many retakes. The couple eventually married in 1980, five years after the film's release.
The film was a lavish production for its time. It took two and a half years to make, and went Rs. 300,000 over budget. One reason for its high cost was that Ramesh Sippy re-filmed scenes many times to get his desired effect. The "Yeh dosti" sequence took 21 days to shoot while two short scenes where Radha is lighting lamps took 20 days due to lighting problems. Another shoot for the scene in which Gabbar kills the son of the Imam lasted 19 days. The scene was later cut from the film by the censor board as was the scene in which Thakur's family is killed.


